How did you approach writing KNOWBODYS as opposed to the way you write Aqua Unit Patrol Squad 1? Is it harder to write a story where you don’t have the option of, say, killing everybody and bringing them back next week?
Here is what it’s like to write Aqua Unit: 10am. “What if Meatwad made friends with a giant, inflatable gorilla who was secretly out to sacrifice Frylock to the original Planet of the Apes film print?” “That’s good, let’s write it.” 12noon – done. Record it tomorrow. Move on to next episode. Total anti-television and anti-storytelling, yet fun. With KNOWBODYS, I wanted to graduate to real storytelling and have the reader embark on an emotional journey with characters that they cared about.