Mad Men Round Table: Epiosdes 1 & 2 (Aug 7)
Reviews - Mad Men
Written by EJ Feddes, Don Kowalewski & Myndi Weinraub   
Thursday, 07 August 2008 14:00
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Three of the biggest Mad Men fans around are on the spunkybean staff!  Each of them weighed in on the show's first two episodes of the new season.

EJ Feddes:

It’s fifteen months since Don Draper’s family celebrated Thanksgiving without him. This is a pretty big time jump between seasons, and things have changed. Salvatore has withdrawn even further into the closet and found a girlfriend, Peggy’s baby is being raised by her mother, Duck has gone from Don’s golden boy to his adversary, and Don and Betty have come to a new understanding in their marriage.

It’s an effective storytelling technique. The first season asked us “Who is Don Draper?”, but with last season’s revelations, they can’t hang a season on that mystery again. This season we’re asking ourselves what happened. There’s a seismic shift in Don’s marriage, and we don’t know exactly how it came about. It’s an ingenious way to keep us guessing.

Still, whatever new understanding Don and Betty have, our Don Draper hasn’t changed, not really. He’s working to keep up the façade, but we’ve already seen it drop a couple of times, revealing the real Don. Yes, he comforted Pete, but what happened the very next time they saw one another? He snapped at Pete, dismissing him instantly. In a way, Don was actually living the advice he gave Pete, doing what people do. It wasn’t a moment of genuine sympathy, it was Don living up to the social contract. Still, his actual uncensored reaction, his natural response is to yell “Another time, Pete”. Don hasn’t changed; he just sometimes remembers to act like he has.

Seriously, the man’s got his children mixing drinks for him and then criticizes their technique. He’s going to be casually destroying lives again in no time flat. At least, we can hope.

And then there’s Peggy. Remember back in the first episode when Peggy was sweet and naïve and served as our point of view character to introduce us to the cynical characters around her? Remember how we all felt sad when Pete used her and tossed her aside? I can’t decide if evil is actually an STD that Pete managed to pass along, if Peggy’s career advancement came at the cast of her soul, or if she was always unpleasant and we just didn’t know it. She’s just upsettingly callous to her mother and sister, who are raising her baby for her, and she’s cruel to the other women in the office. (Does anybody doubt it was Peggy who copied Joan’s license? She sort of had it coming, but that’s still not cool.)

I’m starting to wonder if the theme of this season is going to be that people can only change for the worse. Of course, the theme of the first season wasn’t apparent this early on – two episodes in, it pretty much looked like the show was just going to be about smoking, actually. Meanwhile, I’m just going to spend the next 11 weeks worrying that Betty is actually going to start having sex for money.


Don Kowalewski:

The first two episodes annoyed me because ..well ...we get it.  Don Draper wears grey suits.  But, is that all he wears, now?  And, suddenly, Mad Men is driving business fashion as evidenced by my latest J. Crew catalog that features "the classic grey suit" and all the women's clothes are so obviously Peggy-inspired, I think J. Crew could actually be sued for this applied endorsement they're using.  But I love J. Crew and I love Mad Men and I don't really want to see either of the two get hurt.

Don Draper is also, suddenly, the model of integrity, sincerity, and renaissancian cosmopolitanism (if those words can be used together).  He's penning poetry.  He employs a voice over.  A voice over?  Is this suddenly The Wonder Years?  He's a model husband and father.  Romantic.  He knew exactly the right and classy thing to do when Pete Campbell came to him with the news of his father's passing.  Correct me if I'm wrong, but wasn't he an absolute mess in the last 3 episodes of Season 1?  I'm not sure I'm on board with the Ward-Cleaver-style Don Draper and would like to see a little more of the Charlie-Sheen slash lost-boy Don Draper that made his character so complex and compelling.  I want multiple episodes exploring
Salvatore's homosexuality and his struggle with coming out of the closet in 1961 as much as I wanted endless episodes about Rose and her stupid husband and their backstory on Lost.  Please, Matt Weiner ...don't pull a Lost-Season-2 on America!  Well, don't do it to me.

Also of note ...remember Don Draper turned down the offer from Y&R (and the golf clubs and swanky health club membership) and the opportunity to work on American Airlines in Season 1.  Ironic that he might get that opportunity in this other way.  Which way will this go?  Pete messes up the AA deal?  New-guy-AE messes it up?  New-guy-AE gets Don Draper fired (or on thin ice with Sterling Cooper, at least)?  Or Don saves the day and the AA account?  Or Don gets Mohawk back after we learn AA is playing new-guy-AE and Pete Campbell for fools?


Myndi Weinraub:

I think the fact that we've jumped ahead almost a year and a half is a fascinating device to show how much and how little can change at the same time.  Betty has obviously become a hardened, world-weary housewife who simply refuses to just sit there and look pretty. On the other hand, she is fully aware of what her extraordinary beauty can do for her as she uses it to manipulate the tow truck driver.  She's much more confident in the way she assertively orders room service at The Savoy after Don can't get it up on Valentine's Day (which is obviously due to the medication prescribed for his hypertension).  And she's angry about things like her son tracing a picture and getting praised for it.  Then again, she's sort of intrigued by an old modeling friend who's become an escort in Manhattan.  Where is Betty going?  I can't wait to find out.

I think Don feels guilty for the events that led to him sitting on the stairs alone on that Thanksgiving eve.  I have no doubt that he loves his children, and he loves his wife--or at least he did--but who's he sending books to?  Is it Rachel?  Midge?  Another mystery woman?  Or someone else entirely?  He's trying to be a model husband and father, as well as do the right thing at work, but he also finds out that sometimes being sort of a callous, unfeeling jerk is easier, because he can just walk away.  And it really sucked to be outed as a liar by the Mohawk CEO. 

Speaking of the airline situation, I found two things fascinating.  As a media buyer myself, I instantly recalled the frenzy we experienced the day after 9/11.  In the wake of a catastrophe, we were left to frantically pull advertisers off the air indefinitely, then carefully broach the topic of when it was OK to go back with each client.  Working around the fallout from any kind of tragedy is tricky business, and the show handled it realistically.  Adding the wrinkle of having emotionally bankrupt Pete's father on the plane was genius.  The scene where he coldly asked Don what he should do (knowing full well that this was a man who'd stolen a corpse's identity in Korea) was jaw-dropping, especially when he asked Don if he'd cry.  Who asks something like that?  What kind of upbringing produces a person like Pete?  It looks like we will soon find out.

The other characters around the office are starting to get fleshed out as well.  Harry's reconciled with his wife and is expecting, while Paul is sporting a rakish beard (and neckerchief) while dating an African-American supermarket checker, much to Joan's chagrin.  I really love these two and kind of hope they get together eventually.  Sal has another kind of beard entirely, and my guess is he'll close his eyes and force himself to make babies with the poor woman, too.

And then there's our little Miss Peggy, who evidently got some secret psychiatric care and is standing by as her sister  and mother care for her illegitimate child, who hates her more than strained peas.  That kid deserves an Emmy, by the way. 

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